Digital live sound mixing console with 32 channels of analogue input to 27 analogue outputs plus 6 digital inputs, 4 stereo FX returns and 6 digital outputs in one chassis. As standard, input to mix capacity is 46chs, but by adding a stagebox (compatible with the existing Vi racks), simultaneous channel count increases to 64. Channels are routable to 24 multifunction busses plus LR and mono mix busses. Up to 8 of busses can be configured as matrix mixes, each with up to 16 sources. Surface is just over metre wide and includes 16 motorised channel faders with fixed and user-definable layers, 8 output/VCA faders and 2 master faders. Vistonics is revolutionary touchscreen interface that locates rotary encoders directly onto display. Adjusting parameter (equalizer) from same location at which it’s data is being displayed removes burden of complex mental mapping from operator, streamlining workflow and greatly enhancing creative process. It features widescreen Vistonics implementation with 2 rows of 16 rotary encoders providing simultaneous access to16 input channels.
Input faders, mutes and solos
Bus, master LR and VCA master faders, mutes and solos
Monitor and headphones output levels
Graphic equalizer on all bus outs
Aux send levels to each bus from all channels (monitor mixes)
Matrix contribution level to each matrix bus
Optimise front of house mix from anywhere in room
Adjust monitor levels while standing next to artist
Use multiple iPad devices on one console so artists can mix their own monitors
Use to extend fader count of an existing control surface
Use in standalone mode for familiarisation with console functions or training
Required Computer Operating Systems - Other
Dante Enabled - Yes
Stagebox Mic input to line output frequency response:
20Hz to 20kHz (+0/-1dB)
ES/EBU In to AES/EBU Out frequency response:
20Hz to 20kHz (0/-2dB)
Mic Input (maximum gain) to local line out THD+Noise:
0.020 % (1kHz, 10Hz to 22kHz)
Mic Input E.I.N, 22Hz to 22kHz bandwidth, unweighted:
<-126 dBu (150 Ohms source)
Residual Noise:
-91 dBu
CMRR:
80 dB (at 1kHz Mic input)
Sampling Frequency:
48 kHz
Mic Input to Line output Latency:
<2 ms (at 48kHz)
DSP Resolution:
40-bit floating point
Internal Clock Accuracy:
< +/-50 ppm
Internal Clock Jitter:
< +/-12 ns
Mic Input Impedance:
6 kiloohms
Line Outputs Impedance:
<75 ohms
AES/EBU Output Impedance:
110 ohms
Oscillator:
20Hz to 20kHz Sine/Pink Noise, variable level
Stagebox HP Filter, 80Hz fixed:
12 dB per octave
Channel HP Filter:
18 dB per octave (20Hz to 600Hz)
